May 2027
A dimly-lit concert hall. An object floats above the orchestra – sun, moon, smoldering fireball? Dark. Unsettling. Irritating. Even before a single note sounds, tension fills the hall. What is this? What is about to happen?
L.v. Beethoven, excerpts from »The Creatures of Prometheus«
L.v. Beethoven, Symphony No. 3 »Eroica« (excerpts)
Jean Fery Rebell, «Les Eléments», I Le Chaos
Arnold Schönberg, Ode to Napoleon Buonaparte op. 41
Iannis Xenakis, Voile
et. al.
At the heart of PROMETHEUS lies this specially developed, large-scale object — designed by Lani Tran-Duc (stage & set design). It is not a decoration. It is the dramatic starting point of the entire evening. From this structure flow states of light, atmospheres, and rooms of shadow. LED strands descend from it, beginning to glow and pulsate. The object becomes a source of light—and a metaphor for fire. Herein lies the core idea of the evening: Prometheus gave fire to humanity—the radiant symbol of knowledge, progress, and self-determination. But what has become of this gift? What responsibility do we bear today for the forces we have unleashed? And how do we maintain the balance between freedom and self- destruction? Drawing inspiration from the myth of Prometheus, the concert evening unfolds as music, space, and light merge into a powerful total work of art.
A narrative arc unfolds, spanning from myth to the present day. The evening opens with the overture to Beethoven’s »The Creatures of Prometheus«. At the heart of the musical program lies Beethoven’s »Eroica«: its movements interspersed with classical works, contemporary perspectives, and new compositions. From Schönberg’s »Ode to Napoleon«, works by Jean-Féry Rebel and others to new musical interventions by Patricia Kopatchinskaja. A powerful moment is created when a children’s choir intervenes and storms on stage singing »La Marseillaise«. Finally, the soundworld of Iannis Xenakis’s »Voile« accompanies the fading of the glowing object. The evening ends in black.